同样是拳击题材，《蓝色》不像《洛基》那样燃向逆袭，也没有《百元之恋》的绝地反弹。木村文乃的戏份不多，但她在阳台晾衣服时突然停下来的那个动作，比任何台词都动人。木村文乃的戏份不多，但那种“想说又咽回去”的关切特别真实。没有戏剧性反转，只有闷声挨打后继续站起来的日常，但看完会让你对“失败”有一个更具体的理解。❀。整部片子的调子就像它的名字，灰蒙蒙的蓝，无论拳馆的灯光还是拳手脸上的淤青，都透着一种挥之不去的疲惫。

　　No matter how much he devotes to his sport, veteran boxer Urita remains in the blue corner – the domain of the underdog in the ring. Despite on a permanent losing streak, his meticulous analysis of fights benefits Ogawa, a gifted talent and champion hopeful, and Narasaki, a timid rookie, both gaining strength and confidence under his discipline. Punching his 30 years of boxing experience into the screenplay and the choreography of action sequences, director Yoshida Keisuke uppercuts a realistically crafted drama that underscores the passion, sacrifice and camaraderie in the world of combative sports.

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