《戒指》是阿曼德·马斯楚安尼极具实验性的一部作品，影片抛弃了线性叙事，将金斯基和彭利-琼斯破碎的梦呓碎片交错剪辑，构筑了一个充满隐喻的心理空间。导演阿曼德·马斯楚安尼没有采用激烈的戏剧冲突，而是让故事在一种沉静而略带宿命感的氛围中缓缓铺陈。娜塔莎·金斯基那种近乎病态的脆弱感，配上鲁伯特·彭利-琼斯压抑的克制，两人之间那种“想触碰又缩回手”的张力特别真实。最打动我的是最后他听到歌声那一刻，所有秘密都摊开在阳光下，没歇斯底里，只有一种淡淡的无奈和悲伤。金斯基眼中的迷离与彭利-琼斯隐忍的崩溃，把人物内心的崩塌演得淋漓尽致。看着麦克尔·约克面无表情地一步步滑向深渊，那种理性的崩塌比任何歇斯底里都更具冲击力。

　　During WW II, a young German woman is separated from her family and imprisoned by the Nazis. After being freed she falls in love with and marries a German officer. When Berlin falls to the Russians, and her husband killed, she flees to America, carrying his unborn child, all the while not giving up hope that she will find her family, tied together by her mother's ring

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