故事是这样的：一座肃穆的监狱里，行刑官每天按部就班按下按钮，直到某天他面对的死刑犯突然冲他露出一个不属于这个时空的笑容——从此他的生活被倒错的记忆与幻影侵蚀，每一个环节都像是有人提前写好的剧本。不过受不了压抑氛围的朋友，建议白天拉个胆子大的一起看。如果你不介意节奏偏慢、不喜欢廉价的惊吓，而是愿意沉浸在一段压抑绝望的处境里感受人性褶皱，这片子会是你很久忘不掉的体验。 ☆。适合喜欢《杀人回忆》那种社会派恐怖、不介意叙事节奏偏慢的观众，尤其推荐给对司法正义议题有思考的人。随着调查深入，他发现自己和凶手之间藏着一段被刻意遗忘的往事，真相像锈蚀的刀，一点一点剖开他最不愿面对的记忆。

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

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