故事是这样的：一个中年男人连续几夜被同一个噩梦纠缠——他在老宅的走廊尽头看见一面镜子，镜中的自己冲他咧嘴笑着，但脸上的五官正在慢慢融化。起初他以为是压力太大，直到白天也开始出现幻觉：咖啡杯里的倒影变成了那张腐烂的脸，墙上的挂钟指针突然逆行。他试图用安眠药和酒精麻痹自己，可清醒与梦境的边界越来越模糊，连妻子都开始用陌生的眼神看他。 ☺。 这部1971年的心理惊悚片用极简的布景和阴郁的冷色调，把恐惧塞进日常空间的夹缝里——比如走廊尽头永远照不到的阴影，或者门锁转动时比正常慢半拍的声音。主角从“被噩梦纠缠”到“主动走进噩梦”的心理转折，全靠演员微微颤抖的嘴角和不断转动的眼珠来传递，没有一句多余台词。

　　A nightclub singer has nightmares about being involved in adultery and murder, only to wake up and find that they may not be nightmares.
　　Lurid thriller from the Crown International Pictures vault provides one of the sleaziest tales of wanton lust, infidelity, and unscrupulous greed ever lensed, with a few violent on-screen murders thrown in for good measure. The inimitable Dyanne Thorne is in it, and that fact alone makes it worthy of investigation.
　　A tacky Tony Bennett-style lounge singer abandons his pregnant girlfriend when he becomes intimately involved with the bitchy, high-strung wife(and soon-to-be widow) of a bigshot record industry mogul. Just to prove what a no-class opportunist scumbag this creep is, he soon takes to screwing her dim-witted stepdaughter as well.
　　If you're on a hunt for cheap thrills in the immortal 70s drive-in/grindhouse tradition, Look no further than POINT OF TERROR...it's such an uncurbed blast of raffish overindulgence that it makes something as famously profligate as BEYOND THE VALLEY OF THE DOLLS appear subdued by comparison. Surprisingly, it actually works in a fallacious, all-wrong sort of way, though a preposterous non-ending cripples it significantly.
　　A potentially gratifying watch for fans of excessive, tawdry thrillers, and such a distinctly 1970s relic that you might come away from it smelling like Hai-Karate.

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