故事是这样的：一位看似平静的女性，在某个寻常的下午被一封旧信拖回记忆深处，那些被刻意埋藏的往事像堤坝上的裂痕，水开始无声地渗出——她不得不重新面对那个夏天、那片海滩、那个她曾发誓永不再见的人。珍娜·科尔曼扮演的年轻母亲在避难所里攥着孩子的手，眼神里既有对洪水的恐惧，更藏着对丈夫汤姆·格林-卡尼饰演的沉默男人那份欲言又止的疑虑。导演没有用灾难片的狂轰滥炸，而是让镜头静静跟随人物在暴雨中奔走、在积水的客厅里翻找旧物，用潮湿的触感和断断续续的对话织出一张记忆的网。适合偏爱心理惊悚与叙事实验的观众，尤其是对《海边的曼彻斯特》式克制处理有共鸣者。适合喜欢在细碎对话和沉默间隙里找线索的观众，尤其对家庭创伤题材有耐心的影迷。剧情不靠反转吓你，而是让秘密像水渍一样慢慢渗出来，闷得你胸口发紧。

　　In the four-part series, a fire tears through a holiday home in a scenic Lancashire lake town. Detective Ember Manning must work out how it connects to a podcast journalist investigating a missing persons cold case and an illicit ‘love’ triangle between a man in his twenties and two underage girls.
　　But as Ember gets close to the truth, it threatens to destroy her life – forcing her to reevaluate everything she thought she knew about her past, present and the town she’s always called home.
　　As much a coming-of-age story as a detective thriller, The Jetty asks big questions about sexual morality, identity and memory, in the places that Me Too has left behind.

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