如果你看腻了“女婿见岳父”的套路，《怪兽婆婆》反倒能让你会心一笑——它把火力对准了婆媳大战，而且没有简单地把婆婆塑造成脸谱化恶人。剧情特别夸张，但越看越上头，尤其婆婆假装瘫痪那段，你绝对想不到她下一秒会干出什么离谱事。詹妮弗·洛佩兹演的女主也够普通，和你我一样想用真诚打动对方，结果越努力越狼狈，那种“好心被当成驴肝肺”的委屈，看得人忍不住攥拳头。适合想看轻松斗法、对婆媳题材有心理阴影但又不想被说教的观众——这里没有强行和解，只有两个强势女人最终找到彼此能喘息的边界。 影片最妙的地方是把家庭冲突拍成了“心理战”，婆婆那些优雅的使坏方式和儿媳笨拙的反击让人笑声不断。简·方达把“微笑中带着毒刺”的婆婆演得活灵活现，詹妮弗·洛佩兹则把那种又委屈又倔强的劲儿拿捏得很准。

　　When the pandemic starts, Dona Isadir doesn't think twice about renting out her apartment in Cachambi, in the North Zone of Rio de Janeiro, so she can be closer to her family. She decides unilaterally and without warning to move into the mansion owned by her son Carlos in Barra da Tijuca, much to the dismay of her daughter-in-law, Alice. Her grandchildren, Jonas and Márcia are caught in the crossfire, while the family's longtime employee, Marinez, has a front-row seat to the fireworks. And we haven't even mentioned the parties and cookouts with old friends from Cachambi, namely Fátima and Cezinha.

相关搜索：