说实话，这片子看着比现在的很多恐怖片都要带劲，那种80年代特有的粗粝质感，把深山老林里的压抑氛围渲染得特别到位。穆卡希太会拍"慢炖恐惧"了：镜头总爱停在老木屋漏雨的墙缝、警长外套上黏着的枯叶碎渣，甚至主角攥着猎刀时指节泛白的纹路，没有一惊一乍的鬼跳，却把"猎物与猎人互换"的错位感揉进每帧雨幕里。格雷戈里·哈里森将主角从理性到崩溃的心理转变演绎得颇为真实，尤其是他在荒野中独自面对未知的绝望感极具感染力。格雷戈里·哈里森褪去了偶像包袱，把一个疲惫、甚至有些狼狈的猎人演得很有质感，他和比尔·克尔的对手戏充满了老派男人的粗粝感。 **适合谁看：** 迷影型恐怖片爱好者、澳洲新浪潮电影追随者。这电影适合喜欢老派恐怖片、不追求血浆满天飞，而是想体验那种心理层面逐渐被恐惧吞噬的观众。

　　Jake Cullen (Bill Kerr) lives with his grandson in the Australian outback when a massive razorback boar attacks him, destroying his house and killing his grandson. He is accused of murder and his dignity is destroyed.
　　Two years later, a wildlife reporter, Beth Winters, journeys to the outback to document the hunting of Australian wildlife to be used as animal food, processed in a large factory, but she is attacked by two deranged locals, Benny and Dicko, who leave her to be killed by the beast. Her husband, Carl, goes in search of her, and aids Jake Cullen and his young associate, Sarah Cameron, in hunting for the razorback responsible for her death.
　　As they search for the creature, Benny and Dicko worry that they may be associated with the murder of Beth Winters, so they attack Cullen and leave him to be killed by the boar. Vowing revenge for his wife and his friend, Carl finds Benny and lowers him into a mineshaft, presumably killing him, and finds Dicko in the factory. Before he can kill him, the razorback surges and mauls Dicko to death before chasing after Carl and Sarah, where they face off inside the processing factory. Carl lures the Boar (having speared it with a pole) into pursuing him down a conveyor belt, at the end of which is a large industrial fan. Not able to stop itself, the boar falls to its demise onto the blade/fins killing it, while Carl rescues Sarah.

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