《陷阱1996》是林海象对黑色电影美学的一次冷峻复归。夏川结衣的几场戏很安静，但眼神里全是暗涌。这片不适合追求爽快剧情或标准悬疑解谜的人，更适合喜欢慢火焖煮、愿意在镜头缝隙里找隐喻的影迷，尤其对日本九十年代那股晦涩邪典味儿上头的朋友。如果你偏好那种需要主动拼图、拒绝廉价煽情的实验性黑色电影，这部作品值得细品。永濑正敏演的那位沉默侦探，几乎不靠台词，全靠眼角眉梢的紧绷和抽烟节奏来表达情绪——和山口智子、夏川结衣几位女演员的对手戏，也像隔着一层雾，暧昧又危险。山口智子出场不多，但她和永濑隔着玻璃对望的那场戏，空气都像结了冰。

"The third film in the series, The Trap, is an unusual beast. When the film opens our perpetually down-on-his-luck hero is actually on a bit of a roll. Business is booming, he’s got a new girlfriend, Akane has been accepted into college … he’s even upgrading his office equipment. Things couldn’t be better, right? Well, it wouldn’t be noir if things went well for Hama and the st...

相关搜索：