避开那种反复利用“祖玛”机制的老套路，这部片子把打丧尸拍出了中世纪战争的压迫感。Dean Persons与Osawa Muskwa的对手戏充满了陈旧体制与新野性求生之间的拉扯，少了些无脑杀戮的宣泄，多了种资源匮乏下的生存博弈。片子里没有那么多花哨的动作设计，反而更着重于展现绝望下的本能求生，那种混乱、血腥但又带着点黑色幽默的调调，很容易让人产生代入感。Anne-Carolyne Binette饰演的幸存者领袖展现出冷静的决策力，其与Dean Persons对手戏中那种压抑的默契感，有效平衡了暴力场面与人物张力。它没有花哨的血腥渲染，而是通过镜头语言和紧张的近身肉搏，让你真切感受到“一触即溃”的绝望。导演把僵尸片拍出了极限生存的意思，荒废营地那种阴冷绝望的氛围直接拉满。

During the pandemic, the present camp owner is forced to entertain the new buyer then learns of his evil intentions towards the land. In order to stop the sale he has tricks up his sleeve but a zombie uprising was never one of them.

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