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                                    想看一种极致的“被拒绝”吗?这部爱森斯坦和亚历山德罗夫的巅峰之作,用违背常理的美术调度和浓墨重彩的构图,把“总路线”拍成了血淋淋的讽刺画。剧情围绕集体农庄主席李斯特尼约夫展开,展示了官僚主义如何在盲从与追求产量中腐蚀人心。如果你追求艺术上的极致张力,或是想感受苏联蒙太奇黄金时代的巅峰之作,这部电影的压迫感与戏剧张力绝对不容错过。 剧情没有英雄主义的高潮,只有令人窒息的绝望与毁灭。影片摒弃了早期的蒙太奇实验,转而采用冷静的现实主义风格,聚焦农业集体化中的复杂矛盾。与其商业巨制相比,这部影片画风极度粗粝写实,叙事上利用琐碎的家务事来隐喻集体农庄的荒诞,极富挑战性。


                                    Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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                                    其它最新剧情片《总路线》由 谢尔盖·爱森斯坦,格里高利·亚历山德罗夫 执导。7K7K为广大网友收集了1929年由 Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev 等领衔主演的总路线在线观看,7K7K还支持手机看免费高清版总路线,非常方便,希望大家喜欢。

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