《恩培多克勒之死》是那种会让你在座椅上微微前倾、屏住呼吸的片子。 文档标题:《恩培多克勒之死》:一场哲学与影像的对话 【摘要】:作为一部改编自布莱希特戏剧的电影,《恩培多克勒之死》不仅是对原著的影像化呈现,更是一次跨媒介的艺术探索。 这种电影不属于想要"被讲述"故事的人,它适合那些已经厌倦了因果链、愿意在诗剧的废墟里踱步的观看者——你得习惯耳朵先于眼睛被征用,习惯哲学不是台词里的点缀,而是整块银幕的引力中心。 :-)。如果你受得了“把思想熬成粥”的慢,愿意跟着镜头在西西里的石头路上走一走,看泥土怎么接住落叶、风怎么吹凉一句没说完的话,那它会是你极少遇到的、能让脑子和心一起“沉下来”的电影。当恩培多克勒宣称“我已是一尊流动的神”时,配音的滞后与口型的错位制造了诡异的时态错位:此刻发生的死亡,早已被讲述过无数次。
The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator, the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.相关搜索:
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