推荐你在某个安静的夜晚看《魔鬼玩偶》，氛围会像房间突然暗下来的角落，让你后脊发凉。
推荐理由：托德·布朗宁延续了《畸形人》中那种介于奇幻与怪诞之间的氛围，没有靠廉价特技唬人，而是用精细的微缩模型和逼真的布景，营造出被缩小后世界变得庞大而危险的窒息感。适合喜欢早期心理恐怖、对《科学怪人》或《大都会》这类黑白科幻有怀旧情结的观众，也推荐给想了解1930年代微型模型与分屏特效如何制造“活玩偶”幻觉的影迷。适合对老式特摄特效（比如微缩模型、玻璃缸搭景）感兴趣，或者想看恐怖片里居然藏着亲情的观众。剧情节奏虽慢，但那种旧式戏剧的压迫感和道德困境的拷问，比许多现代恐怖片更耐人寻味。莱昂纳尔·巴里摩尔用低沉语调与病态眼神，赋予科学家一种偏执的悲悯，而特摄镜头下玩具模型的运动轨迹，因克制的景深控制而显得格外诡异。
After seventeen years in prison, the former respected Parisian banker Paul Lavond flees with his friend, the lunatic scientist Marcel that is researching with his wife Malita the miniaturization of animals and human beings to improve the resources of mankind. Paul Lavond was framed for robbery by his scoundrel associates Emil Coulvet, Charles Matin and Victor Radin that had stolen his business while his family was doomed to shame, poverty and tragedy. When Marcel reduces the retarded servant Lachna, he learns that the woman is motionless and only responds to the control of his brain and has a heart attack. After the death of Marcel, Paul Lavond sees the chance to use the miniaturization process as instrument of vengeance and he travels to Paris with the insane Malita disguised of Madame Mandilip, a nice old lady and owner of a dolls store. Paul Lavond, using the identity of Madame Mandilip, befriends his resented and estranged daughter Lorraine Lavond and plots a scheme to revenge and vindicate his family name.相关搜索：
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