最难忘的是那扇紧闭的百叶窗，透进来的光线把房间切割得支离破碎，仿佛暗示着每个人心底不可告人的秘密。
镜头总爱停在泛黄的老别墅走廊：金丝绒窗帘漏进的光斜切过爱德华·伍德华德僵硬的侧脸，他演的老管家话不多，却总在女仆擦酒杯时悄悄把碎瓷片藏进托盘垫布下；斯蒂芬尼·齐姆巴丽斯特的女主也不按常理出牌，明明该是尖叫逃命的落魄小姐，却偏要在鬼魂飘过时蹲下来翻查壁炉里未燃尽的信件，火光映得她眼尾泛红，像在跟什么人较劲。托尼·兰德尔和爱德华·伍德华德这些老戏骨同台飙戏，光是看他们斗智斗勇就值回票价。
喜欢“慢节奏挖线索”的观众会觉得痒：没有一分钟多余的镜头，每句对话都像拼图碎片——女仆说起“十年前的那场火”时突然压低声音，邮筒里多出来的匿名信落款是“灯塔守望者”，这些细节像蚂蚁爬过皮肤，让你忍不住跟着女教师一起，把抽屉里的旧照片、壁橱里的樟脑丸味都翻个遍。
爱德华·伍德华德演的老律师尤其妙，他总穿着熨得笔挺的西装，说话时镜片反光，你永远猜不透他是在帮你，还是把刀藏在袖口。斯蒂芬尼·齐姆巴丽斯特演的安妮不是傻白甜，她翻查旧日记时咬着下嘴唇的弧度，像只闻到血腥味的猫；爱德华·伍德华德的管家默多克更绝，每次擦拭银器时手腕转动的幅度都慢半拍，仿佛刀俎下的猎物在假装顺从。
Based on a 1924 mystery novel by Agatha Christie, The Man in the Brown Suit was the eighth of Warner Bros. Television's Christie-inspired TV movies. Stephanie Zimbalist stars as an American tourist in Cairo (with Spain standing in for Egypt). She runs across a mysterious murder, and an odd encounter with a stranger; all this occurs even before she sets foot on a luxury liner with an all-suspect passenger manifest. It is established that the murderer, who is after a cache of valuable diamonds, is an internationally notorious criminal--but which one of the passengers is he (or she) Maybe the villain romantic lead Simon Dutton, the man in the brown suit of the title...but don't discount such special guest suspects as Rue McClanahan and Tony Randall.相关搜索：
布衣与褐衣褐衣男子怎么读褐衣男子 阿加莎·克里斯蒂羽绒服外套关于莉莉周的一切
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