《血蝶》是铅黄类型中较为工整的一部，泰萨利在叙事上采用经典的多嫌疑人结构，通过交叉蒙太奇将调查线索与受害者心理创伤并置，营造出类似德·帕尔马式的窥视张力。如果你是奔着“吓一跳”去的，可能会失望；但如果你想体验70年代意大利那种诡异又带点情色的恐怖，就像偷看别人的噩梦，那绝对对味。
适合喜欢心理惊悚胜过血腥画面的观众，或者想见识70年代意大利电影那股疯狂调调的人。警方锁定了嫌疑人——一位举止优雅、沉迷昆虫学的画家，但他拥有完美的不在场证明。赫尔穆特·贝格把画家脆弱又偏执的双面性演得颇有层次，他盯着蝴蝶标本时那种痴迷到近乎痛苦的眼神，比任何尖叫都让人背脊发凉。最毛骨悚然的是凶手作案时的蒙太奇：手套磨蹭玻璃器皿的细响，与受害者指甲刮过地板的撕扯声交替出现，看完很久耳边还会残留那种刺痒感。
Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder. Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty. All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…相关搜索：
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