奥利弗·帕克在《妙女郎第二季》中延续了第一季的轻快节奏，但叙事结构明显更加复杂：多线并进时，他刻意用舞台上的喜剧段落穿插后台的私人困境，形成一种“台上笑场越欢，台下沉默越重”的情感对位。汤姆·巴特曼和马修·比尔德的对手戏有种真实的兄弟摩擦感，一个眼神就能让我想起自己和家人闹别扭又偷偷关心的样子。汤姆·巴特曼和鲁伯特·艾弗雷特这对搭档一唱一和，一个笨拙一个毒舌，每次同框都能笑出声。这剧最大的本事就是把那种英式冷幽默和日常抓马揉在一起，明明是些鸡毛蒜皮的小事，但每集都能让你笑出声又忍不住想“啊，我也这样想过”。适合那些喜欢《王冠》时期的美学质感、但更想看点轻松带刺的生活剧的观众，尤其是对女性如何在不友善的行业里“用幽默自卫”这个话题感兴趣的人。 ❤。

　　In series one, Barbara from Blackpool realised her dream and became TV comedy star, Sophie Straw, the nation’s favourite. In series two, Sophie finds out that ‘having a voice’ doesn’t mean it will be heard and that fame is a fickle friend.
　　Fed up with being the comic muse in old school comedy shows, Sophie tries her hand at arthouse cinema hoping it will be more progressive – it isn’t!
　　Undeterred, Sophie decides to create her own comedy show where she can tell authentic stories in all their messy and hilarious glory.  She’s found her voice, and no one can stop her using it! She learns that the power is in the word.
　　Funny Woman is produced by Potboiler and Rebel Park Productions, in association with Sky Studios. Executive produced by Nick Hornby, Gemma Arterton, Andrea Calderwood, Gail Egan, Jessica Parker and Jessica Malik.

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