看完《造物的奇迹》的那个晚上，我一直想着片中人造人第一次睁开眼的镜头——Margarete Schön饰演的科学家助手站在实验室暗处，手指微微发抖，那紧张劲儿隔着银幕都能感觉到。导演用了好多模型和特技，比如把城市缩小、让巨型昆虫爬来爬去，那会儿可没电脑特效，全靠手工和想象力——看着反而特别有味道。影片不依赖宏大特效，而是用特写镜头中扭曲的金属部件和明暗对比的实验室走廊暗示科技异化。最打动我的是人造生命第一次睁开眼睛的瞬间：不是恐怖，反而是脆弱与恐惧交织的微表情，默片演员用肢体和眼神传递出的那种颤抖感，比任何对白都揪心。适合喜欢早期科幻又愿意静下心来感受默片叙事张力的观众——这片子没有一句台词，却让你从头到尾心脏砰砰跳。 ❀。
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.相关搜索：
造物主是谁造的最后一个造物主造物主的神奇与伟大造物主的神奇与伟大成为造物主
剧情介绍
猜你喜欢
科幻片热播榜
热门推荐
友情链接
