如果你正在犹豫要不要看，我可以告诉你：这部《家庭合影》像是把一台老式胶片相机留在客厅角落里，静静记录下那些尴尬的沉默、突兀的笑声和欲言又止的眼神。配角们几乎没有连续对白，却通过共同看向镜头的瞬间，把家庭里那种“既亲近又陌生”的尴尬撕开了。最打动我的是结尾那场雨，所有人都湿漉漉地挤在屋檐下，突然笑起来，像极了我们家过年时那种尴尬又温暖的拥挤。但那张挂在客厅墙上泛黄的老照片里，所有人的笑容都藏着没有被说出口的东西——母亲的焦虑、父亲沉默的躲闪、姐妹间微妙的较劲。适合平时愿意琢磨家人之间那些“说不清道不明”情绪的观众，尤其推荐给那些觉得《爱情万岁》或《东京物语》不闷的人。瑞秋·艾里格演的母亲在合影前给全家煮咖啡时，手指被烫到却装作没事——这种生活里真实的刺痛感比比皆是。

　　Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.
　　Director's Note:
　　Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died.
　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a

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