《该死的亚瑟》像一把钝刀子，慢慢割开青春皮囊下的脓疮。演员们演得松弛又精准，尤其是贾德·佩德里那种“明明很慌却强装淡定”的微表情，比亚瑟本人的倒霉状态更抢戏。尤其喜欢Vadim Agid演的那场地铁戏，他对着空气自言自语，周围人视若无睹，那种孤独感太真实了，我坐在屏幕前都能感觉到四周的冷风。玛莲·法莫出场的几分钟，眼神里全是说不清的疲惫和温柔，让人鼻子发酸。这不是给追求刺激的人看的，更适合那些偶尔觉得生活像场闹剧、想找人一起苦笑一下的普通观众。导演把叙事节奏压得很慢，让你跟主角一起被困在窒息的日常里——那些冗长的沉默、突然爆发的争吵、毫无意义的游荡，都真实得让人坐立不安。

　　The film homes in on 18-year-old Alex who’s been a fan of the Arthur fantasy film series since he was a child. When his close-knit group of friends surprises him with trip to an abandoned house where the film was shot, they unwittingly walk headlong into a twisted, mortal trap. What was once a childhood dream soon turns into a very real nightmare...

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