如果你正在犹豫要不要看，我可以告诉你：这部1925年的默片《红发》是法国导演Julien Duvivier早期难得的家庭伦理剧。影片并不依赖情节突变，而是借缓慢积累的日常冲突（如餐桌边一次沉默的拒绝）引爆情感高潮。直到某天一件不起眼的小事，悄悄改变了他看待这一切的方式。适合那些对家庭关系敏感、能静下心感受细碎情绪的观众，尤其推荐给在亲子关系里受过伤、或者渴望理解童年孤独的人。Henry Krauss演的老好人爸爸也绝了，懦弱又无奈。它没有当时很多默片夸张的肢体表演，反而靠细微的面部表情和精心设计的场景调度传递情绪——比如女主角在昏暗厨房里切面包时手指的颤抖，比任何台词都更揪心。

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be.  An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944.  Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance.  The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

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