如果你看腻了那些把城市与乡村对立成“文明拯救蛮荒”的俗套故事，这部《害羞的人》会给你完全不同的体验。芭芭拉·赫希饰演的隐居母亲，几乎没用台词就建起一道沉默的壁垒；而吉尔·克雷伯格扮演的纽约记者，从最初的优越感到最后的精神瓦解，转变层次全藏在她逐渐僵硬的眼神和失控的肢体里。主事的女人独自抚养几个孩子，过着近乎中世纪的打猎采集生活。否则可能会觉得闷得想砸电视。如果你偏爱那种不靠戏剧冲突、全靠环境与表演推动的心理剧，或者想看看80年代美国独立电影如何用粗糙质感讲文明与原始对撞，这部片子值得一个安静的夜晚。这片子适合喜欢琢磨人物心理、能忍受“无事发生”却暗流涌动的朋友。

　　New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...

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