看完《艾米利亚的孩子》好几天，那种闷在心里的不适感还没散。但入住后，孩子开始梦游、对着空气说话，夜里总指着墙角说“有人”。布里盖特·伦迪·佩恩演出了那种“明明爱孩子却在恐惧”的复杂状态，有一场她盯着摇篮时嘴角的抽动，比任何鬼脸都让人后背发凉。导演拍得特别克制，镜头老怼着空荡荡的走廊、小孩的玩具，配乐也少，安静得让人心里发毛。如果你看腻了血浆和反转，愿意被缓慢的压抑感包裹，这部葡萄牙语电影会给你一种不同于《遗传厄运》的家庭恐怖——更冷，更沉默，更像一场醒不过来的午后噩梦。这片子适合那些受得了慢节奏、喜欢琢磨人物心理的恐怖片迷，别指望血浆和跳吓，它更像一部家庭伦理剧慢慢滑向深渊。

　　When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema.
　　After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles.
　　源自：https://poff.ee/en/film/amelias-children/

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