嘿，我跟你说，这部1970年的《乐圣柴可夫斯基》可太有意思了！导演肯·罗素拍的压根不是那种一本正经的传记片——他动不动就让画面突然变成彩色的超现实梦境，或者让角色直接对着镜头吼叫，看得你一愣一愣的。 :-)。这部片子不适合想看“优美励志故事”的人，它更适合那些受得了大胆实验、对作曲家“解构式”呈现感兴趣的观众——如果你觉得《莫扎特传》都太规矩了，那这部就是为你准备的。比如柴可夫斯基写《天鹅湖》时，地上突然冒出一群真天鹅起舞，看着又疯又美。这段错误婚姻最终将他和她都推向精神崩溃的边缘。理查德·张伯伦演的不是优雅大师，而是被性取向与社会期待撕裂的困兽，每一寸嘴角抽动都透着自毁倾向；格兰达·杰克逊的疯癫妻子则像一团失控的火焰，两人歇斯底里的婚姻戏比任何琴键撞击都刺耳。

Peter Tchaikovsky created some of the most romantic and beloved music ever. Surely he must have a man sensitivities for above human passions and pitfalls. Not so, says Ken Russell (Women in Love, Crimes of Passion), director of the lavish Tchaikovsky bio-pic The Music Lovers. Declaring that he was “fed up with the reverential treatment of musical heroes,” Russell sold his film ...

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