丹麦小村教堂

类型：剧情地区：其它年份：1947

剧情介绍

如果你正在犹豫要不要看，我可以告诉你：这部1947年的短片没有传统剧情，更像一篇用光影写成的乡村建筑日记。阳光透过彩窗在石柱上缓慢游移，每一次光线的位移都对应着乡村生活的节律——洗礼、祷告、葬礼被压缩

如果你正在犹豫要不要看，我可以告诉你：这部1947年的短片没有传统剧情，更像一篇用光影写成的乡村建筑日记。阳光透过彩窗在石柱上缓慢游移，每一次光线的位移都对应着乡村生活的节律——洗礼、祷告、葬礼被压缩进静谧的仪式中，叙事的张力来自镜头内部的蒙太奇。导演摒弃了传统的因果链，转而依靠空间与光线对时间的切割来推动情绪：钟声三次响起，信徒的微表情在阴影中变化，一个祈祷的手势重复三次，每一次都因光影角度不同而赋予新的重量。别看是1947年的，黑白的，但那种安静的力量特别抓人。演员们表情不多，你注意看主角的眼神，那种沉默里的挣扎，比台词更有劲儿。影片以四季更迭的教堂门廊为视觉锚点，用钟声、风啸与诵经声的听觉层次替代对白推进。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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丹麦小村教堂

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剧情介绍

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她的秘密人生

夜王导演剪辑版

江水无声

耳语者

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抓特务

奥德赛

醒来

消失的人

特丽独行

肖申克的救赎

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