我跟你说，这片子太有意思了！1969年的意大利铅黄电影《偏执狂》，导演翁贝托·伦齐，玩的可不是那种一惊一乍的吓人，而是慢慢把你往疯里拽。她看着他们睡自己的床、穿自己的衣服、用仆人的态度对待自己，却像中了毒一样无法反抗。翁贝托·伦齐的镜头总爱停在半暗的角落，配乐像指甲刮黑板一样刺耳，把女主角一步步拖进深渊的过程拍得特别折磨人。洛乌·卡斯特尔演的情人更绝，他笑起来特别温存，但你总觉得下一秒他会把烟头按在你手上。 :-)。伦齐用广角镜头刻意扭曲别墅内的空间比例，配合迷幻电子配乐，将安逸环境转化为心理监牢。
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).相关搜索：
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