《巴伐利亚打猎即景》是一部充满神经质美感的德国电影,通过超现实与冷幽默交织的手法,讲述了一场看似荒诞却暗藏杀机的打猎之旅。
影片对阿尔卑斯山壮丽自然风光的极致展现,将狩猎变成了某种宗教般的朝圣仪式。如果你喜欢纪录片式的真实质感,或者单纯想看那种带着淡淡忧伤的青春回忆,这片子很值得一看。这种沉郁冷峻的风格,带有极强的心理逼视感。
彼得·库尔特和乔治·哈伯尔的演技极佳,将角色那种被无聊生活困住、甚至有些发疯的劲头拿捏得恰到好处。阿德里安·库利奇贡献了教科书般的演技,全片只通过微表情和肢体语言就演活了“绝望者”的疯癫与脆弱。
ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.相关搜索:
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