小津安二郎在《淑女忘记了什么》中延续了其早期社会喜剧的轻快笔触，但已显露出日后标志性叙事手法的雏形。斋藤达雄演那个窝囊丈夫，满脸写着“我冤枉”的样子特别逗；粟岛墨子演的太太，前一秒还板着脸较劲，后一秒偷偷抿嘴一笑，那个小表情太生动了。这话虽然是1937年的，但小津那时候拍喜剧就已经特别会抓日常里的那种“拧巴”了——镜头稳得很，节奏不快，可每个小眼神、小动作都透着幽默。影片适合对日本家庭剧起源感兴趣的影迷，或想观察小津从默片时代转向有声片后，如何用台词与留白调配讽刺与温情。这片子是他1937年拍的，还没到后来那么沉静，镜头稳稳地架在榻榻米上，像偷看邻居家吃饭聊天。讲的是个大学教授被他老婆和侄女来回折腾，全是生活里的小尴尬——比如为了去酒吧撒个谎，结果被当面拆穿，那叫一个手忙脚乱。
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, including smoking, even though she is a minor. On Saturday, the professor does not feel like going to his weekend golf game, but his wife packs him off anyway. So he leaves his bag at the apartment of his student Okada, and goes to a bar with a friend. Setsuko traces him there, and insists that he take her to a geisha house. When she gets rather tipsy, the professor calls Okada to take her home, while he sleeps at Okada's. The wife becomes suspicious of Setsuko when she sees Okada bringing her home, and also of her husband when she discovers that he did not go golfing.相关搜索：
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