《盲目的丈夫们》堪称默片时代的黑色幽默巅峰。如果你热衷于通过剧本研究人性幽暗，或者迷恋于阿尔弗雷德·希区柯克早期那种幽闭压抑的氛围，这部影片绝对不容错过，是理解默片黄金时代的必看经典。如果你迷独立制片或喜欢深度挖掘人性阴暗面的故事，这部被低估的经典绝对值得一看。
演员们的表演更是炸裂，佐利和西德尼为主角夫妇打造了教科书级别的“反差萌”人设：他爱挥霍妻儿于不顾，她却温婉包容成全丈夫的虚荣。如果你喜欢探索人性幽暗面或欣赏极其写实的电影技法，这部被称作“马戏团戏班长的巨著”绝对不容错过。哪怕在现代看来也不乏伏笔，它非常适合喜爱默片艺术、热衷于研究叙事结构和挖掘人性幽暗面的观众。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.相关搜索：
爱是盲目的电影盲目的爱情未曾谋面的丈夫盲人丈夫精心布局婚姻的迷茫
剧情介绍
猜你喜欢
剧情片热播榜
热门推荐
友情链接
